Future daze
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19.8.06
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The End of Blogging OK folks, the time has come to wind up operations and focus my written energies elsewhere. I always looked at the Daze a...
2 comments:
10.8.06
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Neko Case, Black Listed & Fox Confessor Brings the Flood Sometimes I get a thing for a singer purely because of her voice. A long time a...
1 comment:
22.6.06
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Farid Ayaz Qawwal & Brothers , live at Liberty Hall, Dublin In many ways, Qawalli music has it all: committed and intense vocals, call ...
15.6.06
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Bush is 'inspired' Of all the weird, hokey and downright idiotic things to say after a visit to Baghdad (and his grinning glee to ge...
2 comments:
30.5.06
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Circle of Complicity – Dublin property prices I’ve been a-thinking about this a lot, and it’s a representative analogy of the unique bubble...
1 comment:
21.5.06
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Prince, Diamonds and Pearls I can say, without equivocation or pimply hyperbole or excessive superlative, that Diamonds and Pearls is the g...
1 comment:
7.5.06
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Reimer | Setzer, Together Reviewer’s confession: I brought this disc purely on the basis of its ad slogan: "Only voice and bass guitar ...
28.4.06
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Absurd Homerism of the Day Okely, after a brief but hospitable sojourn in Bordeaux (St Laurent d'Arce) with more quality wine and cheese...
2.4.06
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Shane Carruth, Primer Just quickly then, a lucky batch of selections from the well-below-par, not so local video store we joined recently (w...
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Brad McGann, In My Father's Den Pacing is the major subset of plot that drives the cinema experience. Now if you can rearrange and massa...
30.3.06
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The (ultimate) Guns 'n Roses Use Your Illusion mix? Something about my love of Slash's sweet/fine solo tone made me do a personal co...
27.3.06
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Gus van Sant, Last Days Even by arthouse standards of disengagement and snobbish distance, this film is a milestone in heavy-going, artless ...
18.3.06
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Georgian Architecture I don't often write about architecture, but Dublin has such a rich preserve of Georgian-style buildings, indeed th...
11.3.06
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Duke Ellington, Blues in Orbit There's a tendency to think of the Blues as an easy genre for amateur guitarists and old black singers wi...
8.3.06
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Jean-Luc Godard, Alphaville What a very strange film. Largely plotless, obsessed with stairs and corridors, liberally plagiaristic with SF, ...
15.2.06
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David Foster Wallace, Westward the Course of Empire Takes its Way Expansive in scale yet involved in detail: pure DFW. The question and para...
14.2.06
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Dick Cheney’s Pellets A very quick post on media sanitation/dumbing down: after Dick 'Elmer' Cheney shot his hunting buddy in the fa...
1 comment:
6.2.06
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Brad Mehldau Trio , live at Vicar Street Something I had forgotten, until about halfway through the first set, is that Mehldau approaches im...
31.1.06
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Tom Hodgkinson, How to Be Idle The Idler has been a bit of a champion in my book lately: writers digressing at length and leisure on their ...
1 comment:
21.1.06
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WG Sebald, Austerlitz The novel as travelogue of recollection and loss. Of the rootless migrant, adrift in denial yet governed by the dark i...
20.11.05
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Federico Fellini, 8½ Commencing with the nightmarish traffic shot of silent, hemmed-in despair, and ever after that open to dream, suggestio...
2 comments:
17.11.05
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Diverting attention, away, away You gotta love the management of news-issues and debate-framing by the White House. Distract people from Kat...
2 comments:
16.11.05
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The Oxford American Writer’s Thesaurus Yes, it’s still OK to like reference books – they’ll never be Starbucks cool. They only make them exp...
15.11.05
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State of British music IV: Supergrass, Life on Other Planets and Road To Rouen What do you do when you’re in a guitar band and you get sick ...
14.11.05
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Martin Amis, Experience Yes, again . This blog has now officially achieved circularity. What takes the average PostModernist a lifetime of r...
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